The new Scale series provides practical tools for architects and students of architecture. Each volume analyses the construction process from the first design idea to the call for bids, covering the fundamental design principles and concrete details. The series title, Scale, signifies that the perfect detail is the result of a process through various levels of conception and d...(展开全部)

故事的主人公还是这样一个可爱的小男孩“我”。 好不甘心啊！我好想吃巧克力啊，可这打开巧克力袋子对我来说有点难。我想起来妈妈那会儿也打不开瓶盖来着，看起来很费劲。看来大人有时也有打不开的东西啊。 明天也好，后天也好，只要我再稍微上大一点点，我一定什么东西都能自己打开了！ 看得出来，这本书延续了《尿裤子男孩》系列的风格，创作的灵感应该也是一如既往，来自于吉竹自己的小儿子。 这本也是抓住了小孩子生活中有一个有趣的点，虽然是很小的事，对孩子来说却很重要。吉竹用孩子的视角将这个小小的点延伸开来，扩展成让父母、每一个孩子、大人都能感同身受的普遍问题。

耶胡达·阿米亥（Yehuda Amichai,1924—2000），以色列当代诗人，也是二十世纪最重要的国际诗人之一。生于德国的乌尔兹堡，十二岁时随家迁居以色列，二战期间他在盟军犹太军队中服役，目击了以色列独立战争和西奈战役，战后他当过多年的中学教师，先后出版了诗集《诗：1948-1962》、《现在风暴之中，诗：1963-1968》、《时间》等十余部，在欧美诗坛上具有较大的影响，被译成数十种文字。他曾经多次获得国际国内文学奖，2000年逝世。 阿米亥的诗透明而睿智，善于使用圣经和犹太历史作为诗歌意象，把日常与神圣、爱情与战争、个人与民族等因素糅合起来，因此他的诗多涉人类的生存环境和普遍命运，其想象力丰富得惊人，具有深远的哲学意味和语言渗透力。

In poems marked by tenderness and mischief, humanity and humor, Yehuda Amichai breaks open the grand diction of revered Jewish verses and casts the light of his own experi-ence upon them. Here he tells of history, a nation, the self, love, and resurrection. Amichai's last volume is one of medi-tation and hope, and stands as a testament to one of Israel's greatest poets. "Open c...(展开全部)

Close up is right! Klein put a wide-angle lens on his camera, headed for any crowd he could find, and got as close as he could. He decided not to worry about graininess, blurriness, depth of field, and other technical considerations but to go for a spontaneous feel. He got it. These double-page, black-and-white photos are overflowing with people--blurry, grainy, and out of focu...(展开全部)

""Birchfield Close" is comics as a theme, a mood, poetry perhaps. Evoking so much, saying little on the surface, yet what the reader takes away is a profound sense of wonder. Beautiful."--Forbidden Planet In his first graphic novella, Jon McNaught captures the beauty and peacefulness of our childhood neighborhoods and transports us back to those clear evenings dotted with pink ...(展开全部)

Close up is right! Klein put a wide-angle lens on his camera, headed for any crowd he could find, and got as close as he could. He decided not to worry about graininess, blurriness, depth of field, and other technical considerations but to go for a spontaneous feel. He got it. These double-page, black-and-white photos are overflowing with people--blurry, grainy, and out of focu...(展开全部)

John Guillory considers close reading within the larger history of reading and writing as cultural techniques. At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and w...(展开全部)

A woman must confront her sense of right and wrong when the one person she loves most is accused of an unimaginable crime. From the New York Times bestselling author of Need to Know. . . . A strange sensation runs through me, a feeling that I don’t know this person in front of me, even though he matters more to me than anyone ever has. Stephanie Maddox works her dream job poli...(展开全部)

John Guillory considers close reading within the larger history of reading and writing as cultural techniques. At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and w...(展开全部)